Introduction to the Harry Potter and the Cursed Child Debate
Harry Potter and the Cursed Child has been a hot topic of debate since its release in 2016. Based on the play by Jack Thorne, John Tiffany and J.K Rowling, fans have clashed over whether or not it should be considered part of the Harry Potter canon. The controversy surrounding it dates back to October 31st 2015, when Paul Thornley began his first rehearsal ‘in spite of the fact that no contracts have yet been exchanged’. An official announcement followed shortly after by Rowling, who then proceeded to address confused fans about where this story fit into the broader Harry Potter universe.
The debate became more heated when fans rushed to bookstores around the world at midnight to pick up their copies – leading countless reviewers to draw comparisons between Rowling’s previous books and Cursed Child. Many readers believe that comparing them is unfair as they were written by different authors and approach storytelling from very distinct angles. Fans, who felt cheated by what they saw as an unfinished narrative compared to other instalments in the series, voiced their grievances online through reviews and fan forums with arguments ranging from ‘the dialogue was clunky’ to ‘this was entirely out of character for Hermione (or any other character)’ filling up comment sections everywhere!
In response, die-hard Harry Potter fans had contrasting opinions about whether or not this story deserved a place amongst Rowling’s works – some claiming that it is ‘a worthy addition’ while others argue it is a ‘poorly written excuse for nostalgia’. Making matters worse was that unlike the original seven novels which share similar plotting devices albeit unique enough to stand alone; Cursed Child seemed like an overstretched epilogue making use of several plot holes riddled throughout its pages prompting many readers’ interest in digital form instead physical tangible paperbacks viewed only one approach: questioning its credibility as true canon material rather than simply offshoot fan fiction
Regardless of which side you take towards embracing this eighth chapter within the
What Is Canon? Understanding the Definition
Canon is a word that has long been used to represent an authoritative law or rule, specifically within the realms of Christianity, literature, music, film, and other forms of culture. More recently however its usage has come to encompass an entirely new range of meanings – particularly in relation to classic works of artistic and creative works. So what exactly is canon?
At its broadest definition, canon refers to a set of accepted standards or conventions used within the context of any given media type. It could refer to specific types of characters used within cinematic universes such as Star Wars or Marvel Comics; it could refer to certain rules attributed to certain groups in fandom – such as “no romantic pairings between [two] characters”; or it could simply refer to acknowledged top list rankings amongst consumers – say the ten most influential female singers our readers believe should be featured in Rolling Stone Magazine.
In essence then Canon can exist in many different ways depending on its application. The core concept however remains unchanged: one group adopts a set of guidelines which they determine best fits their particular context or idea – whether this arises from personal opinions, collective fanbasis voting systems, professional productions created by established players. Whichever significant sources deem ‘canon’ are then seen as historically important and adhered too/from beyond any reproachment or termination
Despite originally being derived from a strictly religious context (the Greek word “kanon” literally translated meaning “rule”), over the years Canon has become increasingly adopted by everyday users when discussing popular culture industries both online and offline – allowing for simple categorization for individuals worldwide regardless of background knowledge on specific topics. For example I may not have access to all the latest movies from Marvel’s Cinematic Universe but if you told me which ones were considered part of ‘The Canon’ I would at least have multiple titles suggested that would help direct my search for more content
The important thing here is that anything deemed
Examining Evidence: How Is Harry Potter and The Cursed Child Canon?
Since the Harry Potter franchise has been around for nearly 25 years, it was only appropriate that a play be created and shown to its loyal fans. That is exactly what happened in 2016 when the script of Harry Potter and The Cursed Child premiered in London’s West End. Since then, Harry Potter fans everywhere have been debating about whether or not the play is canon with the other entries in the series. Since every piece of material that J.K. Rowling has written regarding Harry Potter has made it into being an official part of fandom history, this is a question that deserves looking into and examining evidence for so everyone can make up their own mind on if The Cursed Child really belongs with the others or not.
Firstly, we must take into account some of things that support The Cursed Child as canon because without taking these details into consideration it would be impossible to confirm its authenticity within the franchise’s genre. For example, one of HP’s former producers, Sonia Friedman even explicitly states this on her website: ‘In 2015…the script of “Harry Potter & The Cursed Child” brought JK Rowlings famed characters to life once more…based on an original new story by JK Rowling, Jack Thorne and John Tiffany.’ This acknowledgement from one of Rowling’s crew members solidifies this play as something she authorised and willingly gave blessings for production; thus confirming it further as a legitimate source in regards to HP-related literature.
Apart from professional acknowledgements such as this one by Friedman; there are also specific parts from within The Cursed Child itself which help make its canon status clear. For example – when Albus Severus remarks “I just woke up determined to find out why Dad had taken my wand when I was five,” he proves ownership over wand No 12 due to his knowledge about him having possession over such at five–years-old—a detail only known in writing through ‘The Tales Of Beedle The Bard’.
Analyzing Reviews: Public Opinion on The Curse of Being Canon
There is no denying that the Curse of Being Canon has been the subject of much debate and discussion, in both pop culture circles and professional entertainment reviews. It’s a unique concept that allows viewers to delve deeper into some of history’s most iconic characters, while also providing a creative outlet for exploring broader themes such as loyalty, betrayal and revenge. But how are people responding to this retelling? Let’s look at some recent reviews to get a better idea of public opinion on The Curse of Being Canon.
Forbes praises the show’s incredible production design and cinematography, noting its “epic battle sequences [which] lend beautifully crafted chaos to each episode.” Additionally, the expert writers at Hidden Remote believe that this is an absolutely must-watch for Game of Thrones fans since it explores several classic questions found in both George R.R Martin and JK Rowling’s works – death, legacy, friendship – yet adds an exciting twist all its own.
Meanwhile Geek Tyrant argues that although The Curse of Being Canon seems focused primarily on character developments from well-known franchises (especially Harry Potter), it “pull[s] subtle hints from other stories such as Avatar: The Last Airbender and Star Wars.” This suggests that creator Miles Warren had more than just his favorite book series in mind when putting together this show!
At the same time, Den Of Geek urges caution due to certain plot points feeling rushed or undeveloped – warning viewers not to expect “a textbook exampleof steadiness” given its taking concepts beyond their originally intended scope before offering conclusions. In that vein however The Verge believes that Warren succeeds in making these origin stories endearing by presenting characters as complex individual beings rather than one-dimensional figures boxed into categories like hero/villain etc..
Ultimately then after examining critics’ reactions it appears clear that despite some shortcomings in plot structure or pacing there is still plenty
Breaking it Down: Pros and Cons of Harry Potter and The Cursed Child’s Canon Status
The latest addition to the Harry Potter universe, “Harry Potter and the Cursed Child” deserves a wide discussion regarding its canon status. Of course, all opinions are subjective, but here is an overview of the pros and cons of the play-turned-script being deemed canon.
To start with the positive aspects of the play having a canonical classification – it was written by J.K Rowling so one could argue that any words from her pen have an immediate stamp of legitimacy in terms of being a part of the official timeline. It has many faithful characters comebacks which allow readers to reconnect with old favorites, as well as adding new complexities for these people’s lives in their mature years. Expanding on beloved characters such as Harry, Ron and Herminone can only make fandom more dedicated when done right – something this script has been largely successful at achieving.
On tne other hand, it fails miserably at providing fans with a narrative production like themovies or novels do; while plays provide excellent avenues to watch some exquisite acting first-hand they lack depth in showing how each aspect is connected with other plot threads. Moreover, even if fans are allowed to criticize story details regarding movis or book narratives(more objectively since movie and book narrations ca be disagreed upon)about “The Cursed Child” it’s put ona pedestal since much more stricy atributes are applied due to its canonicity”. This can be seen as limiting fan creativity when tackling issues regardig specific plot points because attempting any kind of revisionism could be frowned upon out of respect for JK Rowling’s original creation instead of appreciatingthe process that goes into taking something nostalgic yet expanding off certain aspects outwardly in order for personal artistic expression.
Overall , “Harry Potter The Cursed child”( both in play format and script form)provides us with great insight into ccharacaters from our beloved wizarding world but reminds us that not everything adds well to
Summary & Conclusions: Defining the Role of Harry Potter and The Cursed Child in Canon
The Harry Potter series has become one of the most beloved and influential franchises in recent history. With its 8 movies, 7 books, and various spinoffs, it has captivated fans around the world. One of the newest entries into this pantheon is The Cursed Child play, a joint production between J. K. Rowling, Jack Thorne and John Tiffany. This critically acclaimed work follows up on the adventures of our teenaged heroes 19 years after their climactic struggle against Voldemort at the Battle of Hogwarts in the Deathly Hallows book. While it was initially met with skepticism by some fans who call into question its legitimacy as canon due to its unusual format, a closer look reveals that there is plenty to be gained from taking this work seriously.
To start with, The Cursed Child fully embraces all aspects of Rowling’s original universe from rich characters such as Scorpius Malfoy to previously untouched environments like Diagon Alley. It also brings much needed closure to many unresolved storylines such as Sirius Black’s death and Severus Snape’s potential for redemption. Furthermore, through themes of identity, fate versus free-will and friendship in often difficult circumstances, it shines light on topics that can be applied universally in all facets of life today even though they are oftentimes overlooked in their original context within the magical world invented by Rowling et al..
It would seem then that The Cursed Child more than deserves its place among classic works insomuch as its own narrative pleasure but also due to where each strand lies within this sprawling saga as a whole. As such it should not be dismissed just because it strays knowingly away from two dimensional paper pages or silver screens without warrant; rather we should embrace what it offers us as both separate entities and integral members of an ever expanding tapestry known simply as Hogwarts – Potterverse or otherwise!
